minotaure de albert... (48 resultados)

Volume: 1 18,5x11,5 cm., in brossura, pp. 188 (4), non refilate, edizione in lingua francese, piccole lacerzioni al dorso, normali segni d'uso e tempo, buone condizioni. Firma di appartenenza.

Couverture souple. Condición: Bon. Edition originale. Paris, aux éditions Charlot, 1950 In-8 (25,50 cm x 16,50 cm), 80 pp. Non coupé Broché, cousu, à couvertures souples à rempliées. Exemplaire en bon état. Petits plis sur les couvertures, sinon bel exemplaire. Edition originale numérotée 497/800 sur papier vélin Pur-fil des papeteries de Rives. Essai. Très bel exemplaire.

Softcover journal; 88 pages; in French; poor condition; stained cover and first 2 pages detached but present; spine mostly missing. As is. Foreign shipping may be extra.

Softcover journal; rebound into plain green library binding; front cover is present followed by 12 unnumbered pages of ads, followed by 88 numbered pages, possibly missing rear cover; no internal marks. As is. Foreign shipping may be extra.

weicher Einband. . Gr8°. Broschur, 79 S. Erstausgabe. First Edition. Edition originale. Numbered copy (Nr. 872). * guter Zustand. Keine Anstreichungen. Keine Risse. (K1)+.

Soft cover. Condición: Good. Photographs Ilustrador. 1st Edition. 88 Pp. Soft Cover. Original Edition, Complete. Some Wear, Spine Worn, Horizontal Tears And Small Losses, Entirely Split Along Front Spine Edge And Reattached Internally With Tape, With Tape Ghost Also Visible Around Spine, With Small Losses At Top And Bottom. No Marks. Additional Shipping Charge Will Be Requested For International Orders.

Paperback. Condición: Very Good. 12.5" x 9.5" 87 pages, 2 color plates, numerous black and white photographs. Pictorial cover by Gaston-Louis Roux. Front cover somewhat scuffed and has a tears from bottom and top at spine. Top page outer corners slightly turned. Former owner's neat embossed bookplate on first page. Includes essays by Marcel Griaul e, Michel Leiris, Paul Rivet & Georges-Henri Riviere, Eric Lutten, Andre Schaeffner & Deborah Lifszyc. Text: French. U.S. orders are shipped from N.Y. state.

Paperback. Condición: Very Good. Full-color illustrated wraps by Gaston-Louis Roux; 4to; pp. [88], with 2 plates in color, and illustrations and ads in b/w throughout. Spine repaired; covers lightly rubbed; corners a little dog-eared. Includes La Mission ethnographique et linguistique Dakar-Djibouti, Introduction methodologique, Les "wasamba" et leur usage dans la circoncision, Le chasseur du 20 octobre (ceremonies funeraires chez les Dogon de la falaise de Bandiagara, Soudan francais), Notes sur la musique des populations du Cameroun septentrional, Amulettes ethiopiennes, La taureau de Seyfou Tchenger (un sacrifice aux genies zar dans une secte de possedes, a Gondar, Abyssinie). A rich volume. Uncommon.

Paperback. Condición: Very Good. Editions Albert Skira January 1933 Binding: Trade Paperback Picasso cover is intact save some minor chips at it's edges . the spine has been crudely repaired. Seminal art document on modern art and surrealism . $NRP.

Soft cover. Condición: Fair. 1st Edition. 1938 edition of the legendary Surrealist journal. MINOTAURE is an incredibly special mixture of criticism, art and literary analysis. Put together by many of the great names of that epoch - Breton, Dali, Picasso, to name some - it exists as a testament to the precepts of Surrealism. Not merely a venue for discussing art, MINOTAURE was a place where Surrealists engaged in discourse with one another, prising out theory and expressing the deeper concerns of a movement. Of particular interest in this edition is George Pudelko's essay upon Piero di Cosimo, who is presented as a forerunner of the movement, and early works by Paul Rehct. These editions are delicate museum objects. The binding has worn loose, although the images within remain remarkably clear.

Couverture souple. Condición: Bon état. In-4. Broché, couverture imprimée et rempliée, 79 pp. Accroc en pied de dos, mouillure angulaire en continu, sinon bon exemplaire. édition originale. Tirage limité à 1343 exemplaires numérotés. Celui-ci, l'un des 280 sur vélin pur fil des Papeteries de Lana, après 15 sur papier de Chine et 50 sur vélin de Hollande Van Gelder.

Condición: Very Good. First Limited. A very good copy in tan wrappers with red and black printed cover A limited edition, this copy being No 73, printed on pure Rives vellum paper, as described in the limitation page There is a small tear at the base of the spine, but otherwise the binding is very good The personal library label of "Ex PG libris Skinos" (Panof Grafsos Skinos) is affixed to the bottom of the ffep, with some paste stain Pages are still uncut A well-know essay by Camus From a summary: "Men from time to time need to retreat to areas which are silent in order to collect their thoughts and better understand the world This silence is best found in big cities, in which one can simultaneously be in the presence of others and yet be lost in the crowd European cities, however, are too imbued with their violent and eventful histories to provide this silence Cities can even be too filled with poetry to provide the proper silence for thought The city of Oran, then, is ideal, as it is a kind of city without soul or poetry to distract the thinker" 80 pp.

Hardcover. quart hardcover. tres bon. ungelesen, braunes leinen mit blindgeprägter illustration und farbig illustriertem schutzumschlag, dieser mit 4 cm einriß an oberkante, ca 320 seiten mit zahlreichen abbildungen, teils farbig auf einmontierten tafeln; schöne faksimile-edition des ersten Jahrgangs der berühmten zeitschrift (Nr. 1 bis Nr. 3-4) / non lu, comme neuf, toile brune avec illustration estampée à froid et jaquette illustrée en couleurs, celui-ci avec une déchirure de 4 cm sur le bord supérieur; env. 320 pages avec de nombreuses illustrations, en partie en couleurs sur des planches montées 2000 Gramm.

Softcover journal; 72 pages; in French; poor condition; covers loose from still bound pages; covers have lots of brown spotting. As is. Foreign shipping may be extra.

Couverture rigide. Condición: Très bon. Estado de la sobrecubierta: Très bon. 2ème Édition. Genève 1981. 1 Volume/1. -- Très bon état -- Reliure éditeur cartonnée pleine toile sous jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( 2320 gr ). ------- Réédition reliée des N° 5, 6, 7, 8 ( 69 , 76, 77 et 55 pages ).

Condición: Fair. Issues 5, 6 and 7 bound together in one hardback volume. 4to (31cm x 25cm), [iv], 33pp, 68pp, 69pp plus plates and adverts. Bound in plain brown cloth with the original cover of issue number 5 (a design by F Bores) pasted to the front board. The binding is defective - a substantial section of the spine is missing, but the text block remains tightly bound. There are some signs of wear to the contents - the endpapers are foxsed, a few of the plates have some creasing of the corners, and there is a tear to one page. This book includes originals of issues 5, 6 and 7 of the avant-garde surrealist magazine. Please note that the covers of issues 6 and 7 have not been bound in. Text in French.

Encuadernación de tapa blanda. Condición: Muy bien. Sin Sobrecubierta. 1ª Edición. # 5, Albert Skira, Paris, mayo de 1934 31,5 x 24, 5 cm, 76 pp. primera edición Minotaure fue una de las revistas de arte más importantes y mejor editadas de su época. Publicada por Albert Skira en París. André Breton y Pierre Mabille fueron los editores de esta lujosa revista de orientación surrealista que dio visibilidad en sus páginas a los temas del arte, la poesía, la música, el arte primitivo, la ciencia, Contó la colaboración de importantes artistas como Plablo Picasso, Marcel Duchamp, André Masson, Max Ernest o Francisco Bores, autor de la portada de este número de la revista.

Condición: Good. 4to. 32 x 25cm. Original wraps. Bookblock unglued from spine. Small creases on cover. Very good. Photographs by de Man Ray y& Brassai. Art by Hans Bellmer, Anduve Beaudin, Balthus. Textos de Tériade, Roger Callois, Henri Michaux, Paul Eluard, Maurice Raylan (Bores), Maurice Heine, , André Breton, Salvador Dalí, Herbert Reed.Minotaure, published in Paris between 1933?39, was a Surrealist-oriented publication founded by Albert Skira with editors André Breton and Pierre Mabille. Prior to serving as a Minotaure editor, Breton lent his support by publishing the full-page advertisement reproduced to the right, which announced the first issue of the new publication in the final issue of Le Surréalisme au service de la revolution.Minotaure, although not exclusively Surrealist in orientation, was faithful to the Surrealist spirit. The periodical's appeal for the mainstream art public gained wider recognition for the movement, especially with its feature articles on architecture, not commonly found in other Surrealist publications. The goal of Minotaure was to introduce Surrealism to a new generation of theorists and artists, but with the onset of World War II in Europe, Skira ceased publication in 1939.Each number of Minotaure included contributions from artists, writers, philosophers, critics, and psychoanalysts, and was meant to be read as a collective work. Contributors included Paul Éluard, Salvador Dalí, Jacques Lacan, Georges Bataille, and Kurt Veil. Covers included artwork by Pablo Picasso, Marcel Duchamp, Gaston-Louis Roux, André Derain, Francisco Borés, Joan Miró, Dalí, Henri Matisse, René Magritte, Max Ernst, André Masson, and Diego Rivera.Provenance: Galerie Kornfeld, Bern.

OBrosch., [88] Seiten mit zahlr. Abbildungen, 25 x 31,5 cm, Einband im Rücken eingerissen, Einband und innen eselohrig, von außen schmutzig, innen noch recht gut, Bindung kurz vor dem Verfall, komplett, guter Zustand. Book Language/s: French.

Couverture rigide. Condición: Très bon. Edition originale. Genève 1981. 1 Volume/1. -- Très bon état -- Reliure éditeur cartonnée pleine toile sous jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( 2345 gr ). ------- Réédition reliée des N° 1 , 2 et 3-4 ( 75 , 87 et 115 pages ).******************** ref.

Condición: Sehr gut. Erstausgabe. 67 pp., quarto, brochure, cover composed by Henri-Matisse, with b/w ill., 5 colour ill. in the text and 3 colour plates, contributions by E. Tériade, Roger Callois, Maurice RAynal, Edward James, André Breton, Lionello Venturi, Jacques Prévert, Georges Duthuit, Audiberti, Maurice Heine, Edward James, Salvador Dali, Le Corbusier. Sprache(n)/language(s): frCover with minor stains, , binding with cover cracked, otherwise fine.

Condición: Sehr gut. Erstausgabe. 115 pp., quarto, brochure, cover designed by Andre Derain, frontispice by Man Ray, with texts and illustrations by Man RAy, Nadar, André Derain, E. teriade, Ed. Claparede, Jacques Lacan, Benjamin Péret, Paul-Chardon, Maurice Raynal, André BReton, Ferdinand Brückner, Salvador Dali, Maurice Heine, Igor Markevitch, Jean Frois-Wittmann, Tristann Tzara, Paul Eluard. Sprache(n)/language(s): frCover slightly browned and minor damage at top spine, otherwise fine.

Soft cover. Condición: Good. 1st Edition. Albert Camus. Le Minotaure ou La Halte d'Oran. Charlot, 1950. First Edition, Limited Issue. One-thousand three-hundred and forty-three total copies produced. One-hundred and twenty copies were made on pure wood vellum from Papeteries de Rives, Marked Rives 801 to Rives 920, These Latter Copies Being Preserved for the Author. This work is Rives Copy No. 814. 80 pp, 9.75 x 6.5". In good condition. Paper covers rubbed at edges and corners. Head and tail of spine scuffed; tail beginning to chip with exposed binding. General shelf-wear to covers, but red and black ink title remains presentable. Light toning through text-block. Binding tight and intact. Numbering found on rear fly-leaf. Please see photos and ask questions, if any, before purchasing. Albert Camus (1913-1960) was a French philosopher, author, dramatist, journalist, world federalist, and political activist. He was the recipient of the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history. His most popular works include The Stranger, The Plague, The Myth of Sisyphus, The Fall, and The Rebel. Camus's essay Le Minotaur presents the reader with an unusual landscape of the Algerian city. The work begins with one of Camus's grand assertions about the state of the world: "There are no more deserts. There are no more islands." As Camus saw it, deserts were necessary for solitude, and solitude was necessary for greatness. The cultural centers of Europe were too old, too dense and enervated, to provide this kind of isolation. Oran, in Camus's estimation, is the city that has walled itself in, a place "devoid of poetry," therefore perfect for isolation. Gift quality! First edition Limited Issue, 1 of 120 personal author works!!RAREF1950BMOZ - 03/24 - HK1361 COLL1950BMOZ - 11/24 - HKREV256.

Condición: Sehr gut. 1 Bd., überw. ill., 32 cm Volume 1 1933. Faks. Nachdruck der Nummern 1, 2 ,3-4. In französischer Sprache. Original-Leineneinband m. illustr. Schutzumschlag und Kassette. Mit Beiträgen von / über Jacques Audiberti, Albert Béguin, André Breton, Jacques C. Brunius, Roger Caillois, Nicolas Calas, Salvador Dali, Marcel Duchamp, Paul Eluard, Jean Giono, Maurice Heine, Georges Hugnet, Edward James, Madeleine Landsberg, Le Corbusier, Pierre Mabille, René Magritte, Henri Matisse, Matta Echaurren, Benjamin Péret, Jacques Prévert, Man Ray, Maurice Raynal, Kurt Seligmann, E. Tériade, Raoul Ubac. + + + Schutzumschlag tls. dezent nachgedunkelt, sonst sauber und sehr gut erhalten. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Französisch Gewicht in Gramm: 2320 Gebundene Ausgabe, OLn. m. Ou, Kassette [Rééd. facs.] ; Faks. Nachdruck der Nummern 1, 2 , 3, 4.

Couverture rigide. Condición: Comme neuf. Edition originale. Genève 1981. 1 Volume/1. -- Très bon état -- Reliure éditeur cartonnée pleine toile sous jaquette illustrée. Format in-4°( 32,3 x 25,5 cm )( 2470 gr ). ------- Réédition reliée des N°9, 10, 11, 12-13 .

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. The Three Volume set.A Facsimile reprint of the 13 issues of 1933-1939. An excellent reprint which reproduces the original issues in the fullest extent, including the card covers complete with the adverts. Illustrated in both colour and in black and white. Unused copies in Fine dust jackets, housed within a cloth covered slipcase which is near Fine.

Soft cover. Condición: Fair. 1st Edition. Double Issue, Third serie of MINOTAURE, the legendary magazine of contemporary art conceived of by Albert Skira and a long list of collaborators, including Pablo Picasso, Andre Breton, Salvador Dali. A stunning mix of poetry, images and theoretical diatribes of the Surrealist movement. These issues have a startling series of texts - including a report on Breton's trip to Mexico, where he encountered Diego Rivera (whose work is featured heavily in this issue), and Leon Trotsky, then in the final months of his life. Furthermore, there are many critical editions on the Comte de Lautréamont, specifically by one 'Doctor Pierre Menard' - an encounter between the meta-realistic Borges and the French Surrealists, or perhaps an example of Tlön revealing itself in plain sight? These editions are temporally situated at a profound moment of crux, published before the manifest violence of modernity would express itself. These editions are prized and delicate museum objects. Lower spine missing 1.5cm, and binding is very loose. The images themselves remain remarkably vivid and gorgeous, having lost none of their vivaciousness with age.

Condición: Good. 4to. 32 x 25cm. Original wraps. Bookblock unglued from spine. Very good. .Minotaure, published in Paris between 1933?39, was a Surrealist-oriented publication founded by Albert Skira with editors André Breton and Pierre Mabille. Prior to serving as a Minotaure editor, Breton lent his support by publishing the full-page advertisement reproduced to the right, which announced the first issue of the new publication in the final issue of Le Surréalisme au service de la revolution.Minotaure, although not exclusively Surrealist in orientation, was faithful to the Surrealist spirit. The periodical's appeal for the mainstream art public gained wider recognition for the movement, especially with its feature articles on architecture, not commonly found in other Surrealist publications. The goal of Minotaure was to introduce Surrealism to a new generation of theorists and artists, but with the onset of World War II in Europe, Skira ceased publication in 1939.Each number of Minotaure included contributions from artists, writers, philosophers, critics, and psychoanalysts, and was meant to be read as a collective work. Contributors included Paul Éluard, Salvador Dalí, Jacques Lacan, Georges Bataille, and Kurt Veil. Covers included artwork by Pablo Picasso, Marcel Duchamp, Gaston-Louis Roux, André Derain, Francisco Borés, Joan Miró, Dalí, Henri Matisse, René Magritte, Max Ernst, André Masson, and Diego Rivera.Provenance: Galerie Kornfeld, Bern.

Softcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First edition, limited issue. Tall octavo. Small chip at the spine crown, very good in printed wrappers and unprinted glassine dust jacket. One of 120 copies reserved for the use of the author of a total edition of 1343 copies. This is copy number 848 on Rives paper. The copies numbered between 801 to 920 were the author's copies. Inscribed by the author: "a Nicole, et Jean Marie/ avec la fidele affection/ de leur vieux camarade/ Albert Camus." ["To Nicole, and Jean Marie/ with the faithful affection/of their old comrade/ Albert Camus."]. The recipients were almost certainly Nicole and Jean-Marie Domenach, French intellectuals and friends of Camus, albeit with some philosophical differences. Jean-Marie was a noted left wing Catholic thinker, and while he and Camus were both vocal in protesting such activities as the French use of torture during the Algerian Civil War, Domenach had considerably more sympathy for the socialist and communist governments of the time, which Camus found repugnant. It is interesting to note the comma in the inscription, as though the inclusion of Jean-Marie in the presentation was an afterthought, or perhaps a necessity of politesse. Long after Camus had died, Jean-Marie Domenach provided a preface to a book of his thinking, *Albert Camus and Christianity. Hope on Trial.* The deluxe editions of this title turn up at auction with some regularity, but we were unable to find any instance of one of the author's copies in the market, and very few copies of this limited edition have ever turned up signed. A rarity, and a notable association copy.

Couverture rigide. Condición: Comme neuf. Edition originale. Genève 1981. 3 Volumes/3. -- Série complète -- Comme Neuf -- Reliure éditeur cartonnée pleine toile & jaquette illustrée. Sous étui toilé -- -- Format in-4°( 32,3 x 25,5 cm )( 7115 gr l'ensemble ). ************** ref 527B.